My Two Cents

We’re rounding out the week with a bit of new announcement news here at The Bits...

I’ll have a review of Akira Kurosawa’s Ran in 4K Ultra HD for you later today as well, but first I wanted to jump in early with some breaking news.

Universal Monsters fans may be pleased to learn that Tod Browning’s Dracula (1931) is now available for purchase on iTunes/Apple TV in 4K UHD with HDR. And the SRP is just $4.99. It looks fantastic—the high dynamic range really does make a difference in subtle things, like shadow detailing, candle and moonlight luminance, Dracula’s glowing white eyes, and the like.

As I mentioned in my review of the complete Universal Monsters Blu-ray Collection back in 2018, all of these films were remastered from new 4K scans. So potentially, they could all be made available in native 4K, both digitally and on disc. And in fact, we’ve had Dracula on our 4K Ultra HD Release List here at The Bits for many months now. Both Dracula and Frankenstein celebrate their 90th anniversaries this year. The Mummy turns 90 next year, while The Wolf Man celebrates its 80th anniversary in 2021. [Read on here...]

All right, we’ll have a bit of additional announcement news for the week tomorrow here at The Bits, and I’ll be spending the afternoon working on a review of Akira Kurosawa’s Ran in 4K UHD, which will be posted then as well.

But today, I want to talk about Denis Villeneuve’s DUNE.

I had the opportunity last night to attend one of Warner and Legendary’s IMAX sneak peek events for the film as a member of the press.

A little background first... I would definitely go so far as to call myself an expert on the subject of science fiction cinema. I’ve been reading literary science fiction my entire life (including DUNE many times), I’m known in some circles to be well-versed on the topic human spaceflight, and I’m a life-long student of science in general. I read physics and astronomy research papers like some people read comic books.

So as I noted in my recent review of Voyagers in 4K, I have certain critical expectations of science fiction films and TV series. Is the story and its science setup plausible, or does it require too many contrivances or conveniences? Is the story logically consistent? Is the world-building credible and convincing? And most importantly, is the story entertaining, engaging, or thought-provoking? The vast majority of genre programming fails on one or more of those criteria. In other words, on both the big and small screen, truly great science fiction is rare. [Read on here...]